MBELDOG BLOG

Quick post on Paramore per an emailer's request (sorry for generally crappy slow responsiveness to emails by the way, been a hectic week for me due to non-blog stuff) as the video linked to is especially blatant I feel. The band have started picking up their use of Monarch and Illuminist symbolism in recent photo shoots/videos, now with this Monarch slave suggestive video for 'Brick by Boring Brick' which strikes me as a very Masonic sounding title (though I feel it is referencing 'building'/programming a 'stable' internal system if you read the lyrics, which is a long, laborious, boring process; so the structures don't fall apart and the whole system collapse [the lyrics reference a wolf blowing down the house; 3 Little Pigs is an extremely Masonic tale anyway, see my 'Disney/33 little masonic pigs' post]). I was fully expecting something like this though having seen their album cover (below) for 'Brand New Eyes' a few months ago (seeing something with "brand new eyes" has pretty obvious interpretations in terms of mind control). The butterfly is a tiger butterfly combining the two most commonly used animals [butterflies and cats] used in dehumanized sexual alter programming, it is pinned with it's wings divided/separated/split apart from it's body.
The video (directed by Meiert Avis, the band came up with the idea though; perhaps they've been reading too much MK material) portrays Hayley William's child alter personality working her way through her fairy tale programmed internal world. Hayley herself is portrayed on a swing (swinging back and forward/up and down, hypnotic/dissociative symbolic) as her little girl alter (coincidentally called Harley, that 'making of' video explains almost nothing by the way) runs past her (and the 'grave digger' who presumably symbolizes the programmer taking her "deeper and deeper" into a trance/programming [you'll notice there is a white rabbit in it confirming this symbolism], played by Josh Farro who Hayley had been in a "relationship" with until 2007). This post is very rushed, but here is my interpretation anyway.
She is holding a doll and wearing Monarch butterfly wings and goes through a gateway (accessing another part of the mind, upon entry the previous area is symbolically locked by the invisible programmer, that part of the mind now inaccessible to the alter only opened by the "key"/lock/trigger/code symbolized by the key disappearing into light dust).
The area/compartment she is now locked in is like a wilderness wonderland with fireflies or fairies trapped in glass jars (the symbolism comes up here too; she releases one and drops her doll), flowers and Monarch butterflies (she picks one up).
She moves out of the wilderness, progressing deeper into her internal world to a place with giant mushrooms (Amanita muscaria looking) symbolizing dissociative hallucination (+ drugs like that are often used).
You can see that they are guardians as they try to lure her in by offering drinks and such but she runs off scared of them (knowing they are there to stop her, they are essentially booby traps placed into her internal world to keep her in line) to the apparent safety of the castle. Where her goal seems to be, the castle represents a similar area to that of the Emerald City in Oz programming; castles are known to be commonly used as an internal structure contained in Monarch internal systems/worlds. This one acts almost like the 'hub' of the MPD system with all the mirrors giving access [when allowed/triggered] to the many alters contained in the system, the little girl appears to be trying to access and perhaps reintegrate with her core personality, the grown up Hayley as she is shown reflected in the mirror before the more severe guards chase her off.
Inside the castle is another predictable mind control scene with multiple magic mirrors as little girl Hayley is multiplied and then looks in the mirror (the reflection combing her hair, looking content and happy; how the programmer wants her to look but she herself isn't at all).
Multiple Marionette puppets exit the mirrors (above), then the scary gnome (from the mushrooms earlier) is shown.
Day turns to night (with lightning flashes) and the images become scarier, with a screaming lady (the Queen of Hearts from earlier who looks to be wearing some sort of mask/heavy silver makeup) who moves like a mechanical robot and appears to disintegrate or something in the mirror as the little girl becomes increasingly more disturbed and anxious, eventually her image disintegrates/turns to chrome (not sure how best to describe that) in the mirror.
She removes the Monarch butterfly wings as a robber (black/white duality + mask) then a man wielding an axe, who reminds me of the Tin Woodsman due to his axe (this axe wielding guy is another Guardian alter; essentially 'comply with the programming or you will have your head cut off', if the alter comes too close to a part which would allow her more access to her system than the programmer wants the Guardian would scare/chase them back as is shown in this video).
She runs in fear (the axe wielding man forcing her to give up on her goal to reach her primary alter in the castle), exiting the castle through an archway into the night through a dead forest scene and into the wilderness area which you'll remember was locked from the outside (preventing her from accessing that compartment, which is now open as the guardians probably want her to reach the safety of the rabbit hole/grave), the wilderness encroaches on her as it comes alive/grows and tries to trap her.
She is able to get away, taking her doll with her and exit through the now unlocked door back to where her primary/core personality of Hayley is waiting, where it is constantly under the light of the sun; but the little girl has brought the darkness into this 'safe' compartment.
She manages to fall back into the hole (symbolic grave/rabbit hole, shown obviously by the white rabbit), still trapped 'deep' in the programming having failed in her attempt, it's quite a dark video. Adult Hayley, looking very sad picks up her porcelain doll and throw it into the hole with her.