Sunday, October 11, 2009



It's always tragic when a death occurs, celebrities have been dropping like flies for the past year or so; perhaps this is a result of more of them waking up from their programming or perhaps not. Stephen Gately is the latest to die (RIP), passing on October 10th (10/10) 2009 at the age of 33. To go along with the 33 Masonic symbolic age of death (of course it could be entirely coincidental), the Boyzone's official press release about the death contained another Masonic allusion, "We are completely devastated by the loss of our friend and brother." which is what Masons refer to themselves as (again this could also be entirely coincidental, totally apart from the Masonic usage, an innocent reference to their brotherly connection; though my instinct was that it was a conscious reference to the Masonic brotherhood). I don't view it as particularly significant he was writing a book as it was only a children's book. We will probably never find out what actually happened to him, it may well have been an accident but that is not the issue for me as we will never know (it may well have been a ritual sacrifice, you cannot say though). I will probably got a few comments like "you heartless asshole, show some respect to the dead and their family!" and the like; but I feel it would be disrespectful to the dead not to pose these questions instead of blindly accepting whatever story the news media concocts.
In having a quick look at his career, his movie debut and final movie he appeared in was Credo (from the Latin) AKA The Devil's Curse. In it, Stephen plays one of five students who try to summon the demon Belial ("You are Belial, Prince of trickery, Servant of Satan"), through a pentagram invocation ritual. One of the students breaks the pentagram, releasing the demon and all five are subsequently found killed, on the surface by their own hand ("Each of their deaths looked like suicide..). This mysterious circumstances surrounding his death mirrors what has happened in reality as Stephen's death does not immediately have any explanation (yet) apart from it was accidental and not at all suspicious.









Viewing the above trailers (first one mainly) emphasize the number 5's significance in relation to the pentagram, I firmly believe this occult numerology of the number 5 is why many corporate created Boy and Girlbands often have 5 members (when only like 2 of them are really needed and the others seem to just hang around in the background), "we need all five, or the pentagram will be broken!" as it says in relation to the ritual in the film. Stephen was one member of the five-piece Boyzone, whose logo is quite evidently duality symbolism (they have since toned down the duality a lot). Boyzone version 2.0 Westlife (created by Simon Cowell and also managed by Louis Walsh like Boyzone; if I was ultra-cynical I may say that this almost feels like promotion for the downright evil X-Factor and for Boyzone's current comeback) even recorded a music video inside Freemasons Hall in London, Mandy essentially showing you what is the driving force behind these manufactured 'five piece' boy bands (Westlife were originally five, but Kerry Katona's ex Brian McFadden left).

You may remember many MK'd celebrities were mimicking Beyonce's Single Ladies for no apparent reason (probably due to it's programmed choreography, suggested by the robot hand and whatnot), notice all the duality black/white motifs on the screen behind him. I do not have the energy to go through Boyzone's videos but one I had posted previously containing checkerboard duality on a checker cab was here ('Love You Anyway').


Here is a video of Gately singing Monarchs Michael/Janet Jackson's 'Black or White' (please note the pyramid on the back screen when he starts singing, embedding disabled; they usually wear the standard duality combo of a white top and black trousers). Speaking of pyramids, check out the pyramid subliminal shape Stephen symbolically walks under (consciously kept in the frame by the camera; 0:16), various symbolic scenes follow (emphasized by the colour, like a rose, a bridge, river and things like the London Eye, a mirror shot and others are shown) including paper butterflies spiraling around him at 2:18 (before being transported to a colourful alternate reality; like the cyclone taking Dorothy 'over to the rainbow' to Oz, black and white to colour) and even a yellow brick road scene at the end of his debut solo video 'New Beginning' below.

Note on the Boyzone logo the point within a circle, inside of the 'o' of zone (seems like every logo containing 'zone' has this; like the TV station eye subliminal, and another company called Zone [scroll to Noah stuff]), this occult symbol is also seen on Credo's promotional artwork (it is a square point, which makes it all the more Freemasonic symbolic [symbolizing the square of the 'compass and square', the circle being the result of the compass]). This is a Freemasonic symbol (compass symbolic, eye symbolic, and sexual [point = phallus, circle = vagina] symbolism I have gone into in the past; it is always multi-faceted).


Stephen perished in apartment 101 (in apartment block '10', the Sky camera focused on a #10 anyway implying this) which he shared with his partner Andrew Cowles (pictured above and below with Louis Walsh at Matt Lucas' civil partnership ceremony to another homosexual man to meet a tragic end very recently, TV producer Kevin McGee who hung himself).


Gately's stage musical roles I feel suggest his mind control, playing the scarecrow in 'The Wizard of Oz' (no brains/free-thought).


The Child Catcher from 'Chitty Chitty Bang Bang' who is obviously supposed to represent a pedophile working for the establishment's child sex rings (note the Worshipful Master's top hat which is the focal point of his black uniform):

The Childcatcher is the most loyal servant to the Baron and Baroness Bomburst of Vulgaria. Since the Baroness cannot abide the existence of children, she employs him to kidnap and imprison the country's children. He wears a black suit with a top hat, and has moderately long greasy black hair. In general appearance, he is quite pale, thin, and has a spider-like quality and grace in the way he moves. His most recognizable feature is his elongated nose, with which he is able to smell children and find where they are hiding. When searching for the children, he carries a large net and a hook to catch them. The witches in screenwriter Roald Dahl's novel, The Witches, are also able to smell out children to murder them.

He drives a horse-drawn dark buggy equipped with a cage, but he sometimes disguises the buggy as a candy-and-ice cream wagon in order to lure, and so ensnare, children. He also disguises himself as an innocent candy-salesman with colorful clothing and carries lollies and other sweets with which to tempt the children out of their hiding places. When Jeremy and Jemima Potts are hiding in the Toymaker's cellar, the Childcatcher dances through the streets harking about "free" chocolate, cherry pies, treacle tarts, ice cream and other goodies. Jeremy is entranced and runs out into the street, despite Truly warning the twins not to leave until she had returned (she was out shopping for food). Jemima followed against her better judgement, and both of the children followed the Childcatcher. The villagers shouted and called for them to come back, but the Childcatcher lured the children into his cage and took them to the castle of the Baron and Baroness. The twins were locked in the tower and awaited their deaths.

At the end of the film where the natives of Vulgaria and the Vulgarian children ambushed the Baron's birthday party, the Childcatcher was called to detain them. However, his plan failed when he realised that the children were no longer afraid of him and they trapped him in a net which they then suspended from the ceiling-like a spider.


And Godspell looks interesting.


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Note his what looks like skull and bones covered tie (and some red flower-looking motif).


In Joseph & the Amazing Technicolour Dreamcoat he is symbolically shackled, enslaved by Egyptians and all that.


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