Before I take a short break from posting, one more post before I forget about this old show that really blew me away with the insanely obvious MK in it (I had a feeling it was drawn to my attention in the past by a commenter so looked back to check, she was one of the models in George Michael's 'Too Funky' video [wearing a catsuit] so you may have already looked this stuff up); the actress playing the 'living doll' [speaking of Living Dolls, I will be writing up the Dollhouse finale soon, v interesting to hear Roy Orbison's In Dreams near the start of a 100% MK episode!]/robot/stepford wife/etc "Rhoda the Robot" is Julie Newmar... who is more famous for later playing Catwoman (a standard role for MK'd Monarch kittens I've posted on many times before [i.e. Eartha Kitt and Halle Berry + many others in random fashion shoots and whatnot]).
She is one of many of the "elite"'s 'Slaves of Babylon' (note the Cyrus invoking, see her dancing in the film below [historically speaking her character is true to reality as it is a "dancer-assassin" ((seduction then assassination has always been the easiest way for political assassinations, this is another reason why programming sex-slaves (((delta-beta [assassin-sex] slaves in modern day CIA lingo))) that can be used in espionage is so important))]), it amazes me how no one seems to have put two and two together before... obviously there is a clear misogynistic mentality in Hollywood (which is an expression of the powers that be's mentality who control it and allow "pedophiles" [not really the right word] like Woody Allen/Polanski/etc to continue on without fear of reprimand) but it is far more serious and extreme than Hollywood simply being morally bankrupt (they use actual slaves as their puppet performers).
In her other MK/slavery suggestive role in "Serpent of the Nile" she played the 'Gilded Girl' who is painted in gold (also her 'freeze' [like a statue/mannequin/doll] programming until she is triggered to drop the chains, after her dance she is made to 'freeze' [the usual trigger word used to make a robotic victim be unable to move] again after picking up her chains and Mark Antony throws the gold coins Julie stands on [she is an object/possession; programmed sex-slaves are a somewhat rare commodity worth a lot ((like gold))] to the floor for the whipped slave-girls to get excited about ), unfortunately embedding is disabled for the video but I've pulled a few screen captures above to spell out what's going on here.
"Rhoda is an extremely sexy young woman living with womanizing Air Force shrink Bob McDonald. What Bob knows and the rest of the world does not is that Rhoda's real name is AF 709 [codenumbers given to Monarch slaves; AF stands for Air Force], and she is actually a sophisticated (yet naive) robot. Bob's job is to teach Rhoda how to be a "perfect" woman, and keep her identity secret from the world--especially lecherous neighbor Peter."
In the above scene 'Bob' tells the programmed robot Julie "You remember Mr...'s seven wives and the seven reasons he just couldn't stand them.." Julie responds in robot fashion (very much in fitting with trauma-based Monarch programming victims who are often programmed to have almost 'computer-like' memories [in certain alters]), Bob: "Now, I'm going to program you to act like each one of those seven irritating wives all rolled into one big bomb." (he is trying to get her out of a marriage proposal to the other guy in the scene) He then programs her with triggers for the numerous personalities which you can see at work above (touching nose/chin/etc). HILARIOUS!!!!!!!!!!!!! Bear in mind the time this show was made, during the 60's when the "Monarch Project" was in full swing ([after WW2/Korean war] programming multiples with impunity! [the fact that this TV series was made shows just how interested they were in creating these Monarch programmed slaves which they had obviously been doing for years before the show came out] Julie was born in 1933, an extremely turbulent age where programming techniques were really stepped up and mastered [by people like Mengele in WW2], which were likely used on her).
Below is the first part of the pilot episode 'Boy Meets Girl', I don't think I need to screen capture much (just did the MK symbolic intro above) as it's all very self-explanatory if you understand MK/have been following this blog. It's quite disturbing the way they're getting the masses to be "in on the joke" (levelled at the dehumanized/objectified slave/victim) in a way as you hear the studio audience laughing at some really dark stuff ("She's not a human she's a robot" 'HRHRHRHRHRHR....' hilarity! why?!).
Below are the final two parts of the episode (this show is the origin of the famous phrase "Does not compute...", shown below) + a few other episodes (I may add relevant screen captures when I get the chance to watch them all [I'm sure it's as predictable in it's symbolism/themes as evidenced by her playing a ballerina in one of them as she was also a ballerina in reality, image from Julie's official site]).
The episode 'Beauty Contest', like MK'd Monarch models in reality the "robot" (dehumanized Monarch programmed slave) enters a beauty contest (she is extremely talented at playing the piano [slaves are nearly always made to learn instruments, to encourage creativity and other reasons]).
Last episode I'm embedding (props to ComedyGynoid for the vids) is 'Uninvited Guest' which has Julie's systemmalfunctioning and all sorts of hilarity ensues!
This image above from the show probably comes from the episode 'Dancing Doll', other MK episodes with MK themes (as you'd expect) include 'The Mannequin', 'Love Machine' and others.
She has been used suggestively in advertising (standard alcohol advertisement selling subliminal sex [gun/bottle phallus, hot female target], Smirnoff = double headed eagle also), sounding very robotic below.
