MBELDOG BLOG

This post focuses on Liam Neeson to begin with, then a few other victims portrayed in the film after going through it, I'll get started quickly because of the delay (technical issues [capping Blu-Ray] and other things have kept me from posting the past few days) with Liam Neeson, the star of Taken playing an ex-CIA agent trying to save his daughter from Albanian sex-traffickers. I briefly mentioned Liam's family in the Dark Knight post as it seemed to be a good example of the kinds of things I was talking about in relation to these MK'd stars' upbringings with his father being a caretaker in a Catholic boy's primary school, and his mother being the cook called Catherine "Kitty", William John "Liam" Neeson was named after the local priest (sorry but I'm automatically suspect of Catholic churches/schools/priests; he seems to have been raised with the local authority's [the church, which is just another establishment tool for control] heavy involvement [logic suggests the high level of abuse in Catholic primary/boarding schools has been influenced/encouraged/covered up by the powers that be, especially in intentionally traumatized places like Northern Ireland (MI5 were responsible for most of the 'IRA' bombings, the step up in violence recently was always going to happen eventually)] the wife's name, religious upbringing, him starting boxing at age 9 then acting a couple of years later suggests his MK imo). This "Kitty" name is particularly relevant to this post as cat/kitten sex programming in relation to sex-slaves features a lot in this movie about sex-trafficking, and "Kitty" and other feline-related things feature in his various movies like in Breakfast on Pluto Cillian Murphy plays "Kitten", see Dark Knight post for more pertinent feline connections [I go into how Cillian will be in a MPD MK movie Peacock with Katherine "Kitty" Pryde from X-Men played by Ellen Page (see DK post), I'm mentioning this as Pheonix from the X-Men films features in Taken and because it illustrates the "Kitty" "nickname" usage (alter name)], and Liam himself plays 'Father Liam', in a Simpsons episode he played 'Father Sean' (who became a priest because his father beat him, and the Wizard of Oz is even quoted in it) and he also played a Priest in Gangs of New York.
His roles in movies also follow this trend as perhaps his biggest Hollywood role is providing the voice for Aslan in the Chronicles of Narnia series (standard MK themes of little children being transported into an alternate reality through a wardrobe or in the sequel the underground train [cyclone taking Dorothy over the rainbow into Oz, Alice tumbling down the rabit hole into Wonderland etc etc]), with hints at royalty as the lion is a major symbol used by the royal family.
The movie references modern day popstars (symbolizing they are just like trafficked slaves), Liam Neeson takes up a job with his friends to protect a 'pop diva', "I don't know if you'd call her a singer exactly, more like a cash-cow. 20 million records this girl has sold and she's not even 25." And earlier he buys a karaoke machine (salesman says all the big pop stars like Gwen Stefani, Britney Spears, Beyonce; who is emphasised as Liam says he doesn't know who Beyonce is) for his daughter Kim who wants to be a singer, he gets advice from Holly Valance as Sheerah (some biblical symbolism, She+Ra and also check this out).
Becoming a pop star is similar to being trafficked into sexual slavery; your personality/identity is removed and replaced with one the corporate overlords can sell to pervy old men and use to condition suggestible young girls. Kim goes on a trip with her more sexually open Amanda (her top reads "Anytime Anyplace Anywhere Anyway"), following the band U2 around Europe. But not before having to persuade Liam that she can go on her own with her friend, which he is reluctant to as in the below scene (note large squares checkerboard floor).
On arriving in Paris the two girls meet a friendly young man working for the human traffickers (spotters/scouts at airports for potential targets [i.e. young attractive girls traveling alone])
When the trafficker's 'scout' has gone she tells Kim that she wants to sleep with Peter and that Kim should lose her virginity on the trip, the way she ends up in the film obviously ties into this attitude (see further down). Shown also when the kidnappers turn up to their apartment, Amanda has been mindlessly dancing to some brainless music on her own so doesn't hear them enter. The powers that be want all teenage girls to be like Amanda as they are easiest to control and turn into a sex-slave, due to their night after night of drinking/drugs/sensory bombardment (in clubs, flashing/strobe lights etc) and mindless fucking getting them in the right mental state for future sexual slavery on their next drinking tour of Europe. I'm not against that stuff, I've done my fair share (I've said before I'm very much pro Dionysus worship) but most clubs are owned/controlled by the powers that be and are used with an agenda of conditioning new generations (and connect it to how 'tweens' are being programmed [Bratz, Barbie, Hannah Montana etc], to my mind there is a very clear process going on here).
The kidnappers are Albanian (so double headed eagle), Liam's character's friend describes the traffickers: "Their previous M.O. was to offer women from the emerging East European countries jobs in the West as maids and nannies. Once they'd smuggled them in, they'd addict them to drugs and turn them into prostitutes. Lately however, they've decided that it's more economical to just kidnap traveling young women, saves on transportation costs." This is being spoken with Liam and his wife Lenore (played by Famke Janssen who I remember from things like X-Men [Pheonix], Goldeneye [as Xenia, very memorable performance for me as a kid anyway, the organization she worked for was called JANUS (insane amount of MK things related to that name, My Own Worst Enemy and many others in fiction; to do with this mythology)], Circus [Lily], The Faculty and other MK suggestive movies) inside Kim's bedroom where you can spot lots of different MK suggestions, primarily though the cat poster ("Every girl should own one!") is shown as the above quote was being spoken (remember, this film is about sexual slavery so cats feature a lot in this symbolic way).
He tells them that they have a 96 [cats have 9 lives, all about 69, more sex and MK programming spin/reversal] hours before they'll never find her again and Liam jets off to Paris to find her (another cat shown at the end [metallic, you can make out the cat ears anyway, note the sugar and sweet on the photo also], below).
He finds a man working for the French government he knows and asks for help, we soon see him tell the Little Red Riding Hood fairy tale to his children as a bedtime story. But, having become a puppet (working for government, in the police) he only is out for his own self-interests, preserving his position of wealth and affluency, so he has Liam followed (he doesn't care about human trafficking/his friend's daughter's enslavement). It cuts to prostitutes (the M is focused on consciously below) wearing fur-coats (cat, some of them wearing leopard-print to confirm this), he attracts the attention of the pimp/handler by taking up one of his product's time, plants a bug on him and follows him to a construction site where sex-slaves are put to work and he finds the MK symbolic 'Doll Face' butterfly/flower jacket on a drugged/dissociative girl with glazed eyes and can only repeat the words "I'm good."
He takes her back to a hotel and medicates her to help her come round, she describes how she was taken to the "house with the red door" where she met Kim and received her jacket. He goes there (it's on the ironically named road 'Rue De Paradis'), kills everyone, sees many sex-slaves who are drugged (injected heroin) and handcuffed to their beds. The point of this scene though was to show Amanda (Katie Cassidy) dead, with her sexually suggestive top on show, her eyes are glassy/glazed over like her DUI described further up.
He captures one of the slavers from the house and tortures him, this is symbolic of electroshock's use in MK/controlling and programming sex-slaves; except the shoe is on the other foot here, the handler getting a taste of his own medicine (again it would be more realistic if the handlers had electroshocks [tazers/cattle prods/etc], you can obviously see how their method of controlling slaves [heroin, tied to a bed] is extremely flawed as they would not be worth much in that state). The trafficker tells him his daughter was sold because she is a virgin so is worth much more than the rest of them.
He goes to the police officer (higher level police officers are just politicians really) who he thought was helping him but now he knows that he willfully ignored this stuff to preserve his own lifestyle and live in blissful ignorance (haven't pictured him).
He arrives at the party where the main trafficker operates, he takes a black elevator down to the lower levels where he comes across an auction of high-class sex-slaves moving dissociatively in the spot light. The first one sells for 250,000 to an Arabic man probably working for a wealthy Middle Eastern man (Sheikhs, oil barons, population of dubai, royal families, etc; he calls him his "excellency"), showing this is global problem with the rich and powerful (they are not all of one mind completely, but they all have vested interests to protect) fundamentally behind it all.
Liam's daughter Maggie (Kim) is saved for last, the female auctioneer's voice saying, "as always we've saved the best till last... certified pure" because she is a virgin as mentioned (she is wearing a diamond/jewel encrusted black hood which have simple metaphorical meanings and are also used in programming [jewels have been known to represent programs in some alter systems for instance], making a slave wear a specific type of jewel/diamond/ruby/etc signifies a specific thing [i.e. diamonds = presidential model sex slave]). Again like the previous one, note her dissociative state as she is displayed, her hair symbolically covering half her face as the bejeweled black hood (slaves are hoodwinked) is taken off. He successfully buys his own daughter, but is knocked out as he exits the room.
He symbolically kills the main trafficker inside the black elevator, and goes after his daughter; finally reaching (after another needless "OMG ALL THIS RUNNING, FIGHTING AND CHASING IS SO INTENSE" scene) a yacht where the aforementioned rich Arabic guy was waiting, we see him; looking extremely Jabba the Hut (remember his Leia slave, a commenter a while back posted on her love for "electroshock therapy") and his harem is brought out.