MBELDOG BLOG

Quickly like to do a post on Kerli Koiv [KK 11|11] whose MK they are not only not trying to hide (thanks to commenter for pointing her out a while back, I had been meaning to cover her for a while + see Mercurial Talismans), but are completely celebrating it in her videos/music. Her Myspace page lists her location as 'Wonderland' 'Christmas Island' (the latter a real place in Oz); her lifestory is typical of most female MK victims coming from Eastern Europe [Elva (El/Elvis/etc), Estonia], she writes: "And they have this saying in Russia "If u don't beat them up, u don't love them". So, I grew up being loved [abusive parents always 'love' their victims/children], but being treated like shit. Nobody respected their kids." [bold/size not added by me] This is also testament to most of Eastern Europe/Russia which is perfect for MK as it's population mostly (well a big chunk of it) consists of drunken (on vodka/hard liquor) abusers. The sex trafficking industry gets a large proportion of it's "product" from Eastern Europe for this reason, parents are quite willing to sell their own children into slavery (of course there is no shortage of traumatized orphans/abandoned kids either with no family or anything who are much cheaper [not that parents ask for a lot anyway]).

She naturally was pushed into activities perfect for MK programming, in particular ballet which is focused on in her video 'Walking on Air' (above in a ballerina's tutu + black lodge style duality floor) and was given her break in a TV show akin to American Idol (all those shows are fixed so their programmed future star will win, all the voting/judging is just a farce), then she was signed up by Island Def Jam (Universal) Records who have numerous MK'd/people involved in MK (i.e Jay-Z [Jaydiohead is interesting btw (could have been a lot better), any other Radiohead fans out there; the final track is quite revealing 'I got that ignorant shit you need... It's only entertainment!' and Lucifer's Jigsaw is pretty good; first track is very interesting], Killers, Mariah Carey etc) on their roster.




Mirror Ball + Grid



dark princess, note chain/bondage, just realized the chain is around the little girls neck it seems (dissociatively hallucinating fairies).


'Dark Angel' with crows.

MK'd musicians/personalities are always used in Baseball (which is filled with MK'd players), note twin towers/11 symbolism directly behind her, Bank of America, McDonald's M, etc (corporations ultimately responsible for all this slavery... REVOLT!). You can usually tell how MK'd a star is by how used they are by these corporations, her 'Walking on Air' song was used in a promo for Monarch-heavy Fringe and she sung the theme for the Quantum of Solace video game, 'When Nobody Loves You' (it is unclear why they didn't use the movies' theme) and did a song for Travolta's The Punisher soundtrack. (please click my Fringe post link, Kerli's butterfly, using her song and the show's use of Monarch is clearly not coincidental)

Dolls + other toys used in programming + ritual pose (butterfly tattoo seen on her right wrist).


Her album cover for 'Love is Dead' with the white rabbit (sowed up, as if it had been split apart/fragmented) Kerli's doll-like alter is portrayed on a swing with the typical spirals, a crown (with eye), flowers etc.
Naturally she is marked (as a victim of Monarch programming) with a butterfly tattoo, you can see her other tattoos in this video.

Her song 'Butterfly Cry' is blatant Monarch, telling the victim to dissociate:

she reveals, "I used to believe there was no lights/But I found out/Life is far too short to fight/Lose yourself/Let go your pain/Taste the air you breathe/And kiss the sky.".... "I used to be suicidal and depressed when I was younger," she says. "'Butterfly Cry' is about getting out of that. It was like my eyes were suddenly opened. It was a rebirth.

From her official site's bio page where it is also revealed:

"I'm a passionate person," declares the blonde-haired beauty, who once drew a picture in a diary when she was 13 that depicted her going to America [every little girls dream, go to LA and become a media sex-kitten apparently]. "Where I come from, it was a shame to show your emotions. You could never be too happy, because something bad might happen [don't show emotions!]... That cycle of death and resurrection runs throughout Kerli's dark-laced songs, from the title track, to the techno-rocking "Hurt Me," a reflection of the mental abuse she suffered as a youngster, and the defiant harmonies of "Fragile," marking the distance between where she came from and where she is now.