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Showing posts with label TV show. Show all posts
Showing posts with label TV show. Show all posts
Tuesday, November 10, 2009
I had to do a little post on this Family Guy episode, I realize it hasn't been long enough since my last Miley Cyrus post but these types of posts don't take very long to complete. The show featured it's usual twisted mixture of suggestive incest, pedophilia, child and domestic abuse, bestiality and all that other fun stuff that makes Family Guy work [this post isn't entirely serious, more entertainment]! This episode felt like Miley Cyrus' mind controlled/robotic sex slave existence is now an open secret, though I'm sure some people will think they're just taking the piss out of the whole idea (when I saw the title of the episode 'Hannah Banana' I knew it was going to be something about her being a corporate puppet/robot/slave). I'm surprised Disney even allow episodes like this and the South Park one to be made, you'd think they would at least sue Comedy Central/FOX (I guess they're all in on it) for using "their property's" (the names of shows/characters, Mickey Mouse in South Park) likeness considering the army of corporate lawyers/drones they have at their disposal.
The talking baby Stewie is a fan of Hannah Montana (just an excuse to cover Miley in the show) in this episode and is watching a marathon of it on TV. They created a mock clip of the show which illustrates what I have discussed in regards to her Hannah Montana show mimicking her reality (and how she probably views it as reality) and is suggestive of the sexual abuse/incest by Billy Ray Cyrus against his daughter. BRC: "Sorry but you know the rules, Hannah can't do the photo shoot until Miley finishes her homework." MC: "You can't tell Hannah what to do she's not your daughter." BRC: "Wait so Miley's my daughter but Hannah isn't." MC: "Right." BRC: "Great... put your wig on [in-studio audience laughs].. shut up! This is real..." The suggestion here is that Billy Ray will have sex with his daughter in the Hannah wig so he can pretend it isn't actually his daughter (psychologically lessening the guilt I guess), symbolizing the sexual abuse causing dissociation and splits in the mind so the abuse isn't happening to Miley, but rather to her alter-personality Hannah Montana (as well as the wig signifying an alter-personality symbolism of course).
Completely random incest suggestion here, "Hey Chris you wanna practice kissing again?" and in the below scene (Chris trying to catch the 'Evil Monkey' on video) where child abuse and pedophilia is shown Quagmire, the resident sex-addict punches him in the face after Quagmire and Peter make him wet the bed; then the resident pedophile Herbert ("In the episode "No Chris Left Behind", Herbert is shown to be the Grand Master of the Skull and Bones society at Morningwood academy." [Parodying Yale's]) comes in painting Chris in a symbolic 'Birth of Venus' style pose.
The 'Evil Monkey' that lives in Chris' closet turns out to be not evil (the other story arc in the episode), he does Chris' book report for him (what Chris had written is above referencing 'The Catcher In the Rye' book favored by mind controlled assassins) titled "The Slave Trade Allegory of Curious George" which is pretty obvious, and was obviously consciously written as a slave trade narrative (a white man kidnaps "curious George" from the jungles of Africa and ships him over to America where he lives in the white man's house, "helping" his white master around the house and such). Invoking slavery is important here, hinting that Miley is a victim of the modern day slave trade (abused and programmed from birth now used as a lucrative puppet performer by the Disney slave masters).
Curious George (Bush) at the White House in 2003... I'm sorry but there's something (deeply disturbing) about that photo that just cracks me up.
Curious George (Bush) at the White House in 2003... I'm sorry but there's something (deeply disturbing) about that photo that just cracks me up.
Chris and the monkey go fishing, catch and eat Aquaman (fish dehumanization programming discussed in relation to Noah's film Ponyo) during a montage with a mock Miley Cyrus song over the top of it.
Stewie and Brian (the talking dog) sneak backstage to meet Miley.
Where they discover (hearing her mobile phone giving off interference, a remote control for controlling her) she is actually an android; Stewie: "Oh My God, she's an android! Miley Cyrus is an android!" Brian: "Of course, she's a product of Disney Imagineering, they built a perfect robot teen idol."...
... Stewie: "Yes assuring that she could never fail, like famous duelist Sir Henry Giant-Hole-in-the-Torso Wiccanshire." Straight after discovering she is an android, there is a random joke about a fictional famous duelist (probably a dualism/duality suggestion) with a hole/circle (probably sexual euphemism, bullet going through the hole) as his torso and a square shaped ("Sir Joseph Broad-Front") duelist, but I wasn't exactly sure what to make of that.
Brian's (the talking dog) immediate reaction is to use the Miley robot for sex, Stewie asks him what they should do: "Well we could do something... well look at her, she dances like a real girl, she moves like a real girl... do you think shee does.. other stuff like a real girl, you know if you reprogrammed her." "Brian that's sick she's 16!... I'll see what I can do".
Stewie reprogramming her.
Stewie tries to reprogram her for sex but screws up, convulses (electroshock suggestions shown below) and switches to a superhuman animalistic (King Kong) alter-personality (instead of the sex/kitten one they were going for).
Note all the shattered glass (symbolic of her shattered mind in her Monarch [trauma-based] mind control programming), and below the mannequins (one with top hat).
Reversing roles from the undeniably phallic scene from King Kong (symbolizing sexual power/dominance over slaves like Miley; remember obviously the banana in the title of the episode is also phallic symbolism), she takes the Monkey (who tries to stop her causing chaos and destruction) up to the top of the Empire State Building and fights Quagmire and her father in a plane similar to the film. Aside from the Imperial/Illuminist name; the Empire State Building is one giant phallic obelisk (note the sun rays motifs shown above which also feature on it in reality).
She is eventually shot down from the tip of the phallic Empire State, symbolically shooting off half of the human skin revealing half of her robotic face (split mind symbolic; speaking of which, I've added her official symbolic international cover of her latest EP, the rings look significant also) a la Terminator. Should mention (though it's pointless saying it every time she's pictured with a mic) but the cover is also extremely suggestive with her lips open above the phallic microphone which she is holding up to her chin, she appears to be in a frazzled state (what do you think the implication of her hair being messy is, it's all about sex [and blocking out one eye of course]), one of the rings appears to be a long vesica pisces (vagina) symbolic shape (the other being a purple gem or something), you could argue the 'y' in the Miley's "signature" is also supposed to represent the vagina which seems to be significant due to it's size.
Note the Terminator style right red eye which finally flashes red then off showing the robot Miley Cyrus to be dead, Stewie says to him "You know Brian, here's your shot, go for it. [she explodes] Oh, too late." Her robotic hand drops down then Brian says "no it's not" suggesting the dog will use Miley's robotic hand for sex (which is twisted in so many different ways ;p). I've seen other stuff in some of the other shows like a fair bit of mind control in American Dad and some stuff in recent South Parks but I'll leave this post short and to the point.
And isn't this a nice little clip from the episode before the Miley Cyrus one (a Patrick Swayze tribute)... it's just cartoon comedy though don't forget!
Included this one randomly because it's actually pretty funny.
Thursday, November 27, 2008
This post was originally going to be with a few other shows; but the latest Fringe episode tipped it over the edge, others will probably write about it too I'd imagine. Think I missed out a lot, as I state below; would be impossible to write on every MK related thing in the show, I want to move on to some other shows for my next post which I started before this one.
Beautiful but deadly; his hallucination of the butterflies eventually kill him (his mind thinks they're real and are actually cutting him, so his body responds in kind). Highly symbolic of Monarch programming, he even randomly (why not just walk out of the room where all the deadly butterflies are coming from) jumps through the window, shattering it; symbolizing the shattered minds of the victims of Monarch Programming (explained further down). It would be impossible to discuss every facet of mind control contained in this show; so I will just pick out a few themes from the last few episodes, there are ALOT more, loads of subtle and not-so-subtle hints at MK.
Shattered Glass/Shattered Mind. The top butterfly/moth poster features in this MK13 post; as well as the 'shattered in reverse' Fringe intro-sequence which I go into.
Falling is also symbolic in MK, pointed out numerous times previously; falling into a trance, you can also make someone jump off a cliff/out of a window or whatever quite easily (tell them: i.e "jump into the water", or as in 24 recently you don't tell the brainwashed African children "kill the human being", you dehumanize/confuse the intended target/result [what it actually is, 'water' instead of concrete, 'cockroach' instead of human], make it a suggestion that their internal moral value system [which can be broken down too though] won't reject like, "Kill the Cockroach" [anyone else find it hilarious that 24's new big enemy is Angelina Jolie's pedophile father/programmer Jon Voight, really starting to mix reality with fiction here in who we should hate]) through post-hypnotic suggestion and everyone will just think it's a suicide/accident (sorry for the long bracket, made it clearer where the sentence ends and continues with bold), described in this previous MKTV post.
Nintendo 64 [# of squares on checkerboard] style N cube below, with Fringe's Massive Dymanics [standard vague name for Illuminist corporation, see Eureka for Global Dynamics (an actual company too)] being an M cube [M=13 so, 13 cubed; also very blatant MK here]. This is the building he jumps out of; showing who is responsible for the horrors of MK (i.e corporations/'elite' that run the whole global 'puppet show'), if you're not getting the subtext of shows like this (all of JJ's shows and movies + most other people too) then you're not really watching them with your eyes truly open. Gamecube also has the cube symbolism made out of a stylized/cubed G [7]. Mario/Marionette (main post on it at end of link) Puppet cannot be coincidence also, as much as it pains me to say this about a company I've spent countless hours on their products, they are certainly involved (turning us into mindless robots/zombies/marionette puppets through constant repetition on screen and such).
She searches for all things related to the word she found, so the Monarch butterfly, European Monarchs and such are shown (Queen Elizabeth: The Ultimate Monarch, ;P wouldn't argue with that [I'm aware the MK name doesn't come from the Monarchy, but the butterfly's name does so therefore it sort of does (unsurprisingly Oztralia has a thing with it calling it the 'wanderer butterfly' and has been known there since 1871)], these fucked up misogynistic men creating HIS-tory, they would never have a woman in 'power' unless she was under total control). Just after she stops reading about the Monarch butterfly (like a trigger), she receives an email (in her mind, her consciousness and John Scott's merged when they entered a shared-consciousness state in the first episode) from her dead ex-boyfriend which leads her to find the toads with the skin seeping hallucinogens.
One of the primary reasons that the Monarch mind-control programming was named Monarch programming was because of the Monarch butterfly. The Monarch butterfly learns where it was born (its roots) and it passes this knowledge via genetics on to its offspring (from generation to generation). This was one of the key animals that tipped scientists off, that knowledge can be passed genetically.
The Monarch program is based upon Illuminati and Nazi goals to create a Master race in part through genetics. If knowledge can be passed genetically (which it is), then it is important that parents be found that can pass the correct knowledge onto those victims selected for the Monarch mind-control.
There are many traumas, which can be carried out, which leave no physical scars, but do leave the child with the deepest emotional and spiritual scars. This is often necessary when programming young children who the outside world will see soon after their programming session. Holding one’s arms out is a simple torture. Tickling and sensory deprivation are two tortures that leave no marks. Burial caskets, some outside and some at inside locations are often used on slaves. That is why many slaves fear being buried alive. The Programmers place all types of creepy insects in the caskets when they bury the person alive.Another type of sensory deprivation is done by placing the victim in salt water (for buoyancy and weightlessness). Then the victim is fitted with sensitive sensors that shock the person if the victim moves. The shock puts the person back into unconsciousness. The brain is trained to stop all external body movement from the conscious mind. This type of sensory deprivation is used to place in the posthypnotic commands to do something at some future date far into the future.The program is placed into the mind at the same primal level that the mind uses to tell the heart to beat. One of the "appropriate" tortures is to place a bar between a little girl’s legs, which spreads the girl’s loins for rape. Then the bent spread legs are flapped, while the victim is specifically told she is a "Monarch butterfly". Many victims have created butterflies in their minds while being raped. The programmers may tell some of their victims that out of caterpillar-worms come beautiful butterflies. While raping the child, the Programmers will describe their sperm fluid as "honey comb", and will cry out "hallelujah" when they come. It doesn’t take long for the child to realize it has no ability to resist what is being done to it. The will of the child victim is destroyed, and in its place remains a pliable slave.
MONARCH 6662724 [she figures out it's a phone number; obviously the subtext is far more important (666, Monarch Programming, 33), the brainwashed sheeple totally oblivious to] add up those numbers and you get...... 33 I'm sure it's just a coincidence. And to further confirm this, predictably Olivia Dunham's has 33, as her office is #3233 [click for clear view, probably symbolic painting; 32 (white/black square on checkerboard) and 33 (rd degree Freemasonry) very important]. You should always be aware in movies/tv shows etc that door numbers/randomly shown numbers are often put there for a specific purpose with occult meanings, or some other subversive meaning privy only to the producer/director/co-producer/etc that requested it be put in.
Some of the history of MK is shown as Walter Bishop (played by John Noble, gone into in this post), the excited/confused/dissociated/victim himself (in an insane asylum; he says in one episode to his son Peter, "You cannot imagine what it's like for a man like me to not have access to PARTS OF HIS MIND." [how this is done is described further down in regards to an Asian fella who has lost access to parts of his mind in the same asylum as Walter's]) ex-programmer Walter Bishop shows some of his exploits in making a victim actually think he is being burned in an extremely suggestible hypnotic state, and the skin burns even though it is just an ice cube and not hot coals as the victim believes; because of the power of the mind [thus the power of MK; both the power of the mind and MK are massively underestimated by the masses at large (those 'in the know' however understand this all too well and have exploited it for far too long)].
Walter's son Peter Bishop, played by Joshua Jackson (another obvious victim, changed name to Jackson [as in MK'd Michael], initiated into The Skulls and in a bunch of other MKrap [like with Stepford Wife Katie Holmes in Dawsons Creek (who he dated, and made a cameo appearance with in the Muppets [puppets]) and such, I've pictured one MK symbolic (fractured glass [some type of fractured something anyway, could be paper], all seeing eye [JJ's half face in light/shadow too, also see that on the Nazi kid in Apt Pupil poster in other movie posters link]) Urban Legend poster but note his other movies' posters too for MK, one of his with MK is Cursed and was in Christina Ricci's post]); it's a fascinating dynamic to watch as naturally Walter had (as most programmers have done to their victims) electroshocked his own son when he was a youngster, in a previous episode he finds this out and only then remembers this happening (it triggering his previously compartmentalized memory fragment of it)... his original apartment was number 141 (scroll down this excellent link to find some of Carissa's work on that number specifically), I think they changed to separate apartments (having been sharing previously) since then, he still may reside in it though.
The episode before the latest episode (going backwards here) one was perhaps even more blatant with green (3) and red (1) flashing lights putting people into a suggestible hypnotic state (or a hypnagogic state as Peter refers to it), the main victim here is called Ben; a musical genius (random personal sync, Ben obviously + I was pretty well musically programmed as a kid, which is no bad ) because his brain suffered trauma allowing him to access previously inaccessible parts of his mind (the creative/musical part of it [Peter's own trauma as a child gained him a 190 IQ] giving him instantaneous genius-level musical ability).
Notice that red lights up one half of his face, and green the other half. [split mind; confusion between the colours leads to dissociation]
It is common knowledge (well not, people are so fucking braindead) that flashing/strobe lights causes altered-states in the brain; as epileptics of course will tell you, but even in people with "normal" brains this is the case. This is because it (the flashing/strobe lights) creates dissociation in the mind; 'they' want us drugged/docile, as dissociated from reality as humanly possible to keep us under control. Aided by the fact that clubs and similar things feature strobe lighting/lazer/sensory bombardment to a ridiculous degree, turning them into zombified Marionettes... "DANCE MARIONETTE DANCE!", add that to the video games I talked about before where you could argue a similar sort of sensory bombardment is going on too (playing for hours on end, headphones/loud surround sound speakers, plenty of fleshing lights etc) as you immerse yourself in it's universe (putting a Fallout 3 post together, I'm far from anti-gaming at all, I think they can open your mind and have positive effects too).
Walter messing with his kids mind some more above, he is extremely suggestible due to him being electroshocked and such as a child by his own father. Here he is put in a suggestible trance by the green green green red flashing light sequence and his father toys with him like a Marionette Puppet in this state, making him cut off his arm sleeves with scissors.
The obviously programmed (probably by Massive Dynamics or whoever the mysterious dude with the red apple machine who kills her at the end of the episode is really working for) programming chick called Joanne Ostler [Oz; real name Joanne Ritz, as in the 'elite' hotels] is the very attractive Gillian Jacobs, who you'll be seeing in Richard Kelly's new movie The Box next year as Dana [Gillian Anderson/Dana Scully (skull), Dana/Diana, both Gillians called Dana interesting sync and also the Monarch butterfly's tribe (see link for other mythology about it) is the Danaini (obviously Diana ties in here as the Goddess/sacrifice), it's 'Binomial name' being Danaus plexippus, linked to where the name comes from overtly, interesting mythology + perplex=confuse], she plays a stripper (so a stage/alter-name and a real one) in Choke.
She makes Ben think that her dead mother is actually there (when really this is all happening in his head [your brain sees what it most desires (i.e Ben's mother alive)] through a mixture of electroshock and other high-tech methods (the flashing lights and I assume harmonics), leading to this controlled dissociative hallucination; the mother has a scar on her face [which bleeds, as she is traumatized in his mind because he can't complete the piano music/formula, eventually Joanne gets the formula])
Predictably there is a carousel above the 'dungeon' she takes her victims too (very symbolic), inside the red castle (all very fairy-tale), carousel is another big part of MK; see previous posts on it. And opposite from it where Olivia notices it, consciously in the frame with Olivia is a black butterfly image (bottom left).
In the insane asylum Walter goes back to in this episode; the man he tries to get information from has obviously gone through electroshock programming as when he tries to think about equations and other pertinent mathematical things his body gives a 'shock' type jerk/flinch (accessing that part of the brain triggering the electroshock pain memory, stopping him from going deeper into it and getting the information he needs from said part). Above image from the same sequence, with chess board; MK'd slaves are pawns (and sometimes Queens, like my Queen Elizabeth ;) etc, checkerboard massive Freemasonic symbol, which ties into MK [duality, polarizing alter-personalities (evil-good, dumb-smart), etc]. Walter and Peter Bishop is no accident [another piece on the global checkerboard floored stage]. There is also a jigsaw puzzle being built by one of the victims of the insane asylum, jigsaw = fragmented mind; their mind is in pieces, obvious conscious analogy.
Programmed (through electroshocks) response in attempting to access this part of the brain: "Mathematical formulations are not conducive to my mental stability." In this insane aslyum, he causes a ruccus and is thus kept in it; where he proceeds to lose his mind slightly (mental institutions are not made for curing people, quite the opposite) again in seeing himself, a common MK theme of his alter-personality (he is lying in bed in the image below).
I'd like to transcribe an interesting exchange in regards to the father/son programmer/victim dynamic they have going on, "The trouble was he [Jimmy Hoffa, this show says he was assassinated] had a shockingly [nice MK humor there ;p] low electro-sensitivity when I turned on the machine it instantly fried his brain like an egg. Everyone has a unique tolerance to electro-stimulation, mine for instance is remarkebly high, yours Peter unusually low [This is why it is so damn insane (not if you understand why they're doing it) to start handing out tazer guns to all police officers, YOU CAN NEVER KNOW WHAT EFFECT IT WILL HAVE ON THE VICTIM (it could have the desired effect of hurting them enough to subdue them, but it is completely dependent on the person's unique tolerance so you can never know if it would give the victim a heart attack or whatever else it could fuck up in their body/mind), things like this are all a part of it too]. As for our friend here, we don't know, too little current and it won't work, too much and we will overcook his brain so I will..." Peter breaks in quickly, angrily: "You used to do this to me. You attached wires to car batteries and then you would shock me." Walter: "Yes I was accumulating data." Peter: "No you were experimenting on me!"... and he never gets an answer to these horrors, looking forward to see how this develops, it's bound to 'come to a head' at some point.
Both the dead man (again, the overt plot is not so important) and Peter are hooked up to the synchronized electroshocks to try and get the information they need off him, but Peter's head isn't clear so Walter gives him a hypnotic sedative (to 'clear his mind'), regressing him back to the child-like state (one Walter seems to be familiar with; remember he did this to Peter when he was a kid, hence his 190 IQ as the constant electroshocks/trauma can give access to previously inaccessible parts of his mind, giving him high intelligence [see Cathy O'Brien and other examples of it, I've gone into it previously]), Peter says "Daddy" to signify this (below).
In regards to electroshock usage in Monarch I have posted on it before but I think I might as well paste some more info from Illuminati Formula to round things off in this post, which most will be aware of already of course:
Another basic component of the Monarch program is lots of electro shock. Stun guns, staffs with hidden electric cattle prods, and cattle prods are frequently used on the slaves. Electroshock is used to create the dissociation from trauma during the programming, and later it is used to remove memories after the slave has carried out a mission, or to instill fear and obedience in a reluctant slave. Slaves generally carry horrible body memories of excruciating electroshock tortures to their entire bodies. As the slaves begin a therapeutic deprogramming process they will recover these horrible memories, not to mention many other painful memories. A slave often shows electroshock marks on their feet, or back, or buttock or legs after they have been used. An owner of a slave will ordinarily carry a stun gun. This is perhaps a 120,000 DC volt stun gun to erase & compartmentalize memories, but some of the stun guns go up to 200,000 volts DC to erase the memory of his slave. They will apply their stun guns to the base of the skull.
After giving programming instructions they will usually give a high voltage shock to the base of the skull to imbed the instructions deep in the subconscious. They often use hypnotic cues along with the shock. For instance, they will tell the slave they are "now going over the rainbow", and that when the sun goes down they will forget everything, before they shock the body.
The shock destroys and scrambles the memory which is still stored in the short term memory section of the brain. They must shock the person within 24 hours, to insure that the short term memory doesn’t get into long term memory as a coherent memory. This means that if a slave is being used daily, they get electroshocked daily.When a slave is taken to an impromptu programming site--a hypnotic drug is injected into them for a quick induction while a metal band is put around their head and a current of 100,000 volts will be run through for say 5 seconds into their heads. This will cause the body to shake, the eyes to close, sweat to pour out of the body etc. The hands are tied down with restraints. Sometimes the mouth is gagged so that the tongue doesn’t protrude. After imbedding the hypnotic commands deep into the mind, the programmers might adjust the automatic timer on the equipment and give the victim another blast of voltage for 10 seconds. The person’s body will shake and quiver for a while after this. They may dribble spit. Finally, the person will be brought out of their hypnotic trance, instructed not to remember anything, to feel happy and sent on their way.
This entire programming session can last 15 minutes. Programming sites like this can be the back of a van, a back room in a restaurant, or any other place that the equipment can be set up at. This is why a slave, who has been used recently, may hobble a little, or when they get memories feel a tight headband around their head along with awful headaches & flashes of light. The memory will feel like a robotic state to the slave. The slave handler will also carry a black or grey spiral book with all their own slave’s access codes, triggers, cryptic keys and programs. All this will fit into a brief case.
A working knowledge of hypnosis is helpful to understand how to deal with the slave in certain instances. Because the slave is under the most powerful combinations of mind control and is so divided against his or her own self, it is almost impossible to have many problems with the slave if the handler does what he is supposed to do. However, some handlers get drunk or loan the slave to inexperienced people, etc. and problems do develop.
Of course the slaves always end up taking the blame for everything that goes wrong. If the slave gets out of hand, because the handler doesn’t know what he is doing, a stun gun comes in handy to control the mismanaged slave. In other words, a brief case with the programming book and stun gun are basically all that is needed to control a Monarch slave for the rest of his or her life. Some of these stun guns are only a few inches long and look like boxes. Other stun guns are imbedded in staffs. The canes and the staffs that Satanists carry around, like Michael Aquino (in public in fact) are actually stun guns to control their slaves.
Monarch programmer (I believe he's been mentioned in a comment a while back) Michael Aquino [AKA 'Mickey', as in Mouse; to some of his victims] with his long-term slave Lillith, and electro-shock tipped staff [this guy is ex-Army (click previous link for info) but you can never really be "ex-army" (they'll always have a hold on you due to their 'build you up, break you down' programming techniques, which is common knowledge; as well as the vast amount of MK that goes on in it which is hidden), all of this "Satanic" BS is just an excuse to get away their horrific programming, I personally think most occult rituals and such are more about perversion (and desire for control) than anything truly spiritual/demonic/"Satanic"]. [Temple of Set's website for anyone interested + wiki, nice spiral staircase on the main page ;P] Edit: Link to some more info on Aquino.
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