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Showing posts with label MI5. Show all posts
Showing posts with label MI5. Show all posts
Monday, August 11, 2008
"The series begins in 2013 (just after the 2012 Summer Olympics), when London and some of the south east has been evacuated in the wake of a nuclear attack during the games. The government has relocated to Manchester; Thames House has been decommissioned, and MI5 is forced to set up offices across the UK in an attempt to help Britain avoid new attacks." The show's opening coincides with the 2008 Olympic Games and all the chaos in Georgia etc., so it is clear it is part of the big 2008-2012 Olympic rituals.
MI5 pyramid logo pre-1955 we've all seen, and below is the canary wharf tower with its own pyramid on top in the wake of the explosion.
It is centrally targeted at my generation (20 somethings, who grew up in a binge drinking stupor and with glorious apathy) who quite happily buy anything the government tells them (not that they pay attention to that anyway, they actually think MI5 works similar to on TV and is there to protect the public from "terrorists" [hilarious I know]). We saw plenty of MI5 propaganda (EVERYTHING that the BBC produces is MI5 propaganda mind) from the BBC last year with articles like this, again targeted at the new generation of apathetic zombies. The program speaks of "camps" set up by the government to keep dissidents in and people displaced by the radiation from the blast and whatnot (and all the other things coming in the near future, I.D. cards, security checkpoints etc. I was just surprised they didn't have everyone microchipped yet!). The second episode portrayed protesters as terrorists (which has obvious propaganda purposes that any idiot can grasp). As everyone should be aware, MI5 is controlled by Freemasons as evidenced by their Freemasonic pyramid logo pre-1955 so naturally we can expect all the typical freemasonic symbolism and numerology (33, checkerboard etc.). I enjoyed this quote from a Times review: "With a cast of fresh-faces and a budget of several pounds, it fancies itself as gritty and hip, combining state torture with a boozy, flirty This Life house-share for the torturers, yet it lacks the balls to link the “code-9” attack with either the Olympics or al-Qaeda [or Inside Job!!! Inside Job!!!]. A preamble assures us that, afterwards, life outside London continues much the same. Judging by the crowded Mancunian [Manchurian Candidate] shopping malls, through which the junior spooks dash, this is indeed the case. Note also that in “new world, new rules” [new world order] Britain, the pussy bow, dismissed by so many as just this summer's fashion fad, remains the height of post-holocaust chic." 'For Queen and Country' (they kept saying in trailers and they put the union jack over people's faces throughout the episode which I took as mind control symbolism), brainwashed into thinking an organisation that doesn't remotely care about the people living in there and is there to protect them (when really they're the ones setting off the nukes and causing the chaos). I think they treat the whole f***d up situation as a kind of comedy, the way they were saying things like when answering why they would want to join MI5 in a really camp way, "protect my country, it's gotta be what you want to hear right? Funnily enough it happens to be the truth." [actually made me laugh]. Jason Bourne was mentioned (mind controlled assassin fictional/based on secret service agents in reality), and they randomly say they have "330" minutes to find the killer (a 15 year old brainwashed kid using an AK47 (named as that) sniper rifle thing to kill an MI5 officer; the kid dies by falling from a building). Their office is called Field Office 19 and 'code 9' [also MI6/9 mirror reversal/spin] is probably a reference to MI9 and MI19, 19 being "the military-intelligence department in charge of prisoner interrogation" during World War 2 (they used mind control/brainwashing techniques, quote from this book).
MI5's tried and trusted mind control techniques at work here (he is drugged, taken to a place whilst still unconscious, wakes up (in a confused state), is forcefully taken down a narrow corridor, the MI5 agent [pretending to be someone the kid worked for] gets right up close to him and gives him his orders).
The camps.
The episode starts (after the introduction) with some kind of operation in "club H" (or X) sector 3g (37 777). The majority of the subliminals (potential triggers) and such are in the toilet where a fight scene takes place.
Three Skull and Bones, remember 322 is Skull and Bones' number, BBC translates in numerology as 223|322 backwards (there is an airplane on one of the walls not pictured, so 9/11 resonance).
K=11 B=2=1+1 13|31 (33, 13 mirrored), also note 6 pointed star/hexagram above the numbers, add them all up (2+4+9+1+3+3+1+11+2=36, 666). 666 is shown literally below. (the green light is also probably worth noting)
13 synch, sun symbolism.
17, 5 (points of fellowship), St. Georges is VERY significant because this was airing at the same time as the Georgian crisis was occurring, it is all part of the ritual (George Bush too). Obviously the Freemasonic checkerboard on the policeman with machine gun is significant. This is a checkpoint where you have to scan your I.D. card (or fingerprint).
The 15 year old mind controlled assassin (wearing a "hoody" of course) kills Han|naH from room 307 (more 777 Crowley), note the looking glass (spy glass).
Couple of Freemasonic checkerboard scenes.
All preceding images were from the first episode, the following ones are from the second one. They added a predictable shattered glass intro sequence which I've put a few screens in of, just before the shattered glass sequence there is a countdown (first focusing on the olympic stadium) with a stylized Union Jack then the explosion, then the shattered/fragmented glass intro (symbolizing the fragmented minds of MI5/6/the-whole-Freemasonic-boys-club agents, information is power). This same fragmented/shattered glass symbolism is seen in the main code 9 title at the very top of this post (with each character getting a glass fragment/shard).
33 synch (14=77), this guy lost his whole family to the bombs (and he's working for the people who set them off, nice irony).
Wouldn't argue with that... nice twin pillars either side of it too.
33 synch (14=77), this guy lost his whole family to the bombs (and he's working for the people who set them off, nice irony).
Wouldn't argue with that... nice twin pillars either side of it too.
Protestors (activism in general) is demonized in this one, "human rights groups are becoming increasingly violent" (paraphrased, one of the protestors has a pentagram for subconsciously scaring any Christians watching [so they won't complain when peaceful activists start getting locked up; "shut up and let god handle it" like good Christians should], they're the easiest to manipulate [except the "awake", non-mainstream ones] into what you want them to like and dislike because they are so programmed through hours of conditioning in Church [constant repitition is one of the many methods used by the clergy]). Note the twin pillars (MOD screen), this is at (fictional?) Bridgewater University, most universities around the world are covered in Freemasonic symbols (in the architecture and in crests and such). The protestors are "cyber terrorists" (hacking into the system, making all screens come up with the same message of evacuate, which shepherds the herd of sheep through the station before they cannot open a revolving door [they all push the wrong side in their deranged state] and are all squished against it, a few die.
Highly symbolic scene, the camera slowly zooms away from the revolving door (which isn't locked) through another set of doors (humanity is trapped in a cycle of delusional madness under the current Freemasonic global dictatorship).
Note serpentine/lizard-like symbol + facebook images being used by MI5 (who'd have thunk it?!).
The terrorist protestor is killed between twin pillars... where else?!
Very Freemasons Hally (the tower to the right more so).
Welcome to the (near) future.
Highly symbolic scene, the camera slowly zooms away from the revolving door (which isn't locked) through another set of doors (humanity is trapped in a cycle of delusional madness under the current Freemasonic global dictatorship).
Note serpentine/lizard-like symbol + facebook images being used by MI5 (who'd have thunk it?!).
The terrorist protestor is killed between twin pillars... where else?!
Very Freemasons Hally (the tower to the right more so).
Welcome to the (near) future.
Monday, July 7, 2008
Something is going on, saw this on Red Ice Creations but thought it was relevant considering my posts on MI6, GCHQ and whatnot. Obviously we'll never know what happened in this situation, the "very serious people" (MI6/5 freemasons) who have "asked Dominique not to comment" will inevitably cover up what they did to him and for what reason. They're bs is unravelling and they're having to take drastic measures to shut some people up. From this Telegraph link. Probably a sign that they're about to do something, and they just need him to remain quiet (about the intelligence he saw or whatever) until it is done. They'll probably compartmentalize his memory so he forgets through electro-shock trauma or various other methods causing amnesia (it'll be like nothing ever happened/he never saw anything), I'm sure when he exits the hospital he will look as happy as larry. Some potential "Mind Controllian" info from the BBC: he is a massive fan of the Californian band Grateful Dead, fans known as Deadheads which he runs a website for apparently. He became a civil servant in 1973 (777), this Independent article is titled "New Spy Chief is Ultimate Deadhead". He once surfed down the Thames (ISIS) wearing a bowler hat and holding an umbrella (Oh how they love to toy with them!).
"
Britain's leading spymaster, who is in a coma after apparently being struck down by a mystery illness, was found covered in blood, according to a tenant.
Doctors have run a battery of test to try and establish why the 57-year-old Chairman of the Joint Intelligence Committee collapsed at his home on Monday.
Government sources insist there is no evidence of suspicious circumstances, but Miss Salm's account will add to speculation that Mr Allan may have been targeted by a foreign spy.
The painter's mother Sally Ann Salm told the Mail on Sunday: "Some very serious people have asked Dominique not to comment on any of this until it has been fully investigated and she is doing just that. So am I."
The Counter Terrorism Command has investigated but is so far treating the illness as non-suspicious.
A police source said: "Because he is a person of significance, investigators made sure nothing untoward had occurred. But it was quickly established there was a medical reason for how he was found."
Whitehall sources are blaming the collapse on pneumonia, and experts agree that prolonged coughing can bring up blood.
Dr Keith Prowse, chairman of the British Lung Foundation, said: "If it's pneumonia it is likely to be secondary to something else. And a significant quantity of blood is more likely to come from the gut than the chest.
"Pneumonia is something that can strike very quickly, however."
Mr Allan has been described as "ebullient and out-going" and once windsurfed down the Thames in a suit and bowler hat to avoid a transport strike.
He was private secretary to both John Major and Tony Blair and was previously permanent secretary at the Ministry of Justice and High Commissioner for Australia.
He was appointed to be chairman of the Joint Intelligence Committee (JIC) by Gordon Brown a year ago and took up his job in the autumn.
It is Mr Allan's job to assess the intelligence put forward by MI5, MI6, GCHQ, military intelligence and foreign intelligence sources.
He reports to the permanent secretary for intelligence, security and resilience who in turn reports to the Prime Minister.
Government sources suggest Mr Allan was "too high profile" to be a target for foreign intelligence agencies but others have suggested this is exactly what could make him vulnerable.
Miss Salm has been using a studio at Mr Allan's home since the death of his artist wife, Katie Clemson, in November last year.
Saturday, June 7, 2008
Hitman: The Movie is my main focus in this post, but I will delve into the game series where necessary. I'd first quickly like to point out that the protagonist of the video games and the movie (a bald guy with a bar code on his head called "Agent 47", in the games he is a clone) speaks to a disembodied voice called Diana Burnwood, she serves as the only link between him and the secret "organization" (its called that in the film) he works for: The International Contracts Agency (ICA) (sounds a bit like that new film Wanted). I was pretty amazed that they've given it the logo of MI5 pre-1955, with added Skull and Bones symbolism. We all know what they did to Diana Spencer, so this has added impact. Honestly, I think a lot of video games and movies are closer to the truth than the news media's portrayal of reality. See this, and more info on the Hitman video game series at wiki. Diana is a "controller" (ironic joke, I guess because she was most probably "controlled" herself) and speaks with an "upper-class British accent".
I've pointed out in numerous posts the use of the number 47 or 74 (or 7777), this is particularly blatant in the film The Bank Job. Hitman: Codename 47 was the original game's title, it was panned by the gaming media but I really liked it, the feeling of being able to hide out and plan and execute your target whenever you feel like it was most gratifying (and equally frustrating if you get caught or die). In hindsight, this sounds disturbed and twisted but that was probably the purpose of it's creation, to make us all into little potential hitmen. The below advertising campaign for Blood Money fits in with this (note the faceless assassin reflected in the mirror on the third pic down).
Hitman: The Movie leaves you in no doubt what it is really about straight from the off as "blue eyed boys" are shown being programmed whilst Ave Maria is sung. This opening sequence features loads of standard mind control symbolism; a few all seeing eyes, being submerged under water (see Dollhouse trailer) and other things. At one point when two children try and escape they are cruelly gunned down by a sniper (note the grid behind them), you see his eye then the red cross hair over the boys. This sequence is completed by focusing in on one of the boys' all seeing eyes with 7 points of light reflected in it, they form a hexagon, then he receives his twin "silverballer" guns from his master/programmer. I include a few shots from Manchurian Candidate, which I thought were similar (one showing lines of infantry being programmed, like the infants below, another showing how they're made to do horrible things like shoot somebody, as part of the programming). Codename 47 (in the game) can remember his programmer as "the man with the needle" this can also be seen in the below Manchurian Candidate programming as well as in the Hitman movie just before it cuts to the boy's eye. They are obviously being programmed for different things, so their programming is different but similar.
One of the major differences between the film and the games is the fact that, in the games all the assassins are literal clones, but in the movie they are the types of people I have mentioned in previous posts who are generally targeted for "illuminati" mind control. I'll let 47 describe it, "Rumor has it that he is working for a group known only as "The Organisation". So secret no one knows it exists. Takes no signs. Yet it has ties to every government. It's sole purpose is the training and conditioning of professional killers. These men are selected at birth. Rejects, Orphans. All of them, unwanted and disposable. They are made experts in every aspect of combat. And programmed for one purpose: To Kill." Though obviously, the "organisation" (illuminati, see MI5 logo above) are more than just mind controlled assassin programmers (I'm sure they delegate), this is a metaphor. Desperate gamers have seeked to put the clone storyline (which is symbolic enough of multiple personalities, but is not in the film) into the movie, instead of the harsh reality of what it is really portraying. They claim this by saying that because 4 people with the bar codes on them are fighting at one point which "obviously" suggests they're clones.... obviously they are all programmed when they were young orphans and given the bar code tattoo (like the film actually shows and says), I see no suggestion of cloning. This excellent list of characters from the Hitman series has it right which says that: "The film version, for instance, (47) is not a clone, but an orphan (presumably) who was trained by the Organization to become an expert assassin when he was a child. Also, the film version is revealed to have a photographic memory." (photographic memory like programmed assassin Jason Bourne etc.) The quote at the top of this paragraph is spoken (at the start, after the western programming prison opening scene) as images of 47 executing a hit in Nigeria are shown.
I've had the movie downloaded for ages, but never got round to watching due to poor media reception, something compelled me to watch though on the night after doing a post on adverts from Vogue. Synchronistically, as if to affirm my thinking that advertisements in Vogue/Tatler/etc. are designed with mind control triggers placed within them, he is shown reading these types of magazine numerous times. The ridiculously attractive Olga Kurylenko (new Bond girl, more on her later) asks, "why do you buy these magazines?", he responds "For the advertisements." Which is the reason I flick through them when they're lying around, they are largely filled with violent subliminal imagery, or just subliminal triggers in general. The fashion industry is one of the most perverse/twisted industries turning the female population into materialistic (bullimic) robots who are obsessed with hypnotically staring into the magic mirror, each time they look into the mirror and put on their masks (makeup and such) it brings them closer to their minds fracturing completely thus creating an alter-personality.... or something... maybe. But then I'd miss all the beautiful people... so I'm torn... modern society is confusing. Of course, we are all beautiful but I won't deny I've been somewhat brainwashed into "their" accepted standard of beauty. Anyway, all these subliminal triggers probably "comfort" him in a way, as they make him feel at home (where he was "programmed" through trauma)... as sick as that sounds I think psychologically it does make sense. If he just wanted things that had advertisements for stuff to carry his guns in he would not continue to ritualistically buy these types of fashion magazines.
I've had the movie downloaded for ages, but never got round to watching due to poor media reception, something compelled me to watch though on the night after doing a post on adverts from Vogue. Synchronistically, as if to affirm my thinking that advertisements in Vogue/Tatler/etc. are designed with mind control triggers placed within them, he is shown reading these types of magazine numerous times. The ridiculously attractive Olga Kurylenko (new Bond girl, more on her later) asks, "why do you buy these magazines?", he responds "For the advertisements." Which is the reason I flick through them when they're lying around, they are largely filled with violent subliminal imagery, or just subliminal triggers in general. The fashion industry is one of the most perverse/twisted industries turning the female population into materialistic (bullimic) robots who are obsessed with hypnotically staring into the magic mirror, each time they look into the mirror and put on their masks (makeup and such) it brings them closer to their minds fracturing completely thus creating an alter-personality.... or something... maybe. But then I'd miss all the beautiful people... so I'm torn... modern society is confusing. Of course, we are all beautiful but I won't deny I've been somewhat brainwashed into "their" accepted standard of beauty. Anyway, all these subliminal triggers probably "comfort" him in a way, as they make him feel at home (where he was "programmed" through trauma)... as sick as that sounds I think psychologically it does make sense. If he just wanted things that had advertisements for stuff to carry his guns in he would not continue to ritualistically buy these types of fashion magazines.
Olga Kurylenko is an interesting person, I watched a movie with her in last night, which was pretty disturbing in their treatment of Olga, it is probably a metaphor for what they have planned for her. She is absolutely blatantly portrayed as a mind control sex slave in this French film, The Serpent which, sychronistically is (not overtly) about mind controlled models and the fashion industry(have not watched to the end yet mind, fell asleep). Loads of symbolism in that film, I do recommend it despite it's obvious sinister undertones. By the way, here is The Serpent's website[Edit: It looks like they got rid of the official site and the domain 'theserpentmovie.com' was sold to some sick incest/abuse/rape porn site as the URL link had not been changed so I'm fairly sure the site hasn't been hacked (thanks to 'Ouch Adrian' commenter bringing this to my attention)]. Any film with lines through the title (or fragmented letters) is symbolising a fragmented mind, like on that website, and scan back through my mind control movies post and see which of them have these 'fragmented' titles, a few of them do.
This eye will be in the new Bond film, as will Olga.
47 is told by his "controller" Diana, that Olga had witnessed the shooting and he is about to kill him but he is stopped in his tracks by seeing her tattoo on her face (as you can see they are not visible in the image on his laptop above so is caught unawares), wikipedia does not recognise this as the reason for him stopping suddenly. Tattoos are used by handlers/ programmers/ controllers to mark the person as their personal property. Olga has a dragon/serpent tattooed onto her face, the assassins all have bar codes on them, which features in Disney's latest mind control fest Enchanted (post on that to come). He wonders why she has marked her face in such a way (because he only knows tattoos as symbolising his submission to his "owners"). She explains that she put the tattoos on her face because "it's the only place Belicoff wouldn't hit.", Belicoff is the guy 47 was supposed to have assassinated.
47 speaks to Diana and says that Olga saw nothing, Diana says that he will not receive payment because his target was still alive. His target was the Russian president, he successfully killed him but a body double has taken over from him as president (working for a secret cabal). He finds out his location has been compromised as an FSB agent ("T-bag" pedophile from Prison Break) sends men in to kill him. But, every good programmed assassin has an escape route planned, he jumps out the window holding onto a pre-prepared rope, an explosion occurs as the stormtroopers (with red eyes) open the door and he flies through twin pillars (note the reflection in the window that he is about to shatter) before crashing through and shattering the glass window, arriving at a couple of kids playing the Hitman game (confusing reality with dreamworld/video gameworld).
47 speaks to Diana and says that Olga saw nothing, Diana says that he will not receive payment because his target was still alive. His target was the Russian president, he successfully killed him but a body double has taken over from him as president (working for a secret cabal). He finds out his location has been compromised as an FSB agent ("T-bag" pedophile from Prison Break) sends men in to kill him. But, every good programmed assassin has an escape route planned, he jumps out the window holding onto a pre-prepared rope, an explosion occurs as the stormtroopers (with red eyes) open the door and he flies through twin pillars (note the reflection in the window that he is about to shatter) before crashing through and shattering the glass window, arriving at a couple of kids playing the Hitman game (confusing reality with dreamworld/video gameworld).
Then there's loads of walking through corridors/hallways passing all the numbered hotel room doors and such with his twin guns. He kills 5 of the soldiers inside an elevator. After he has escaped by jumping into a river he buys a new suit, he ritualistically wears the red/white/black combo pretty much all the time which I've been going on about less lately but is still everywhere (not pictured, basically the same as the mirror image above, more on those colours in a forthcoming Big Brother post). He looks at a picture of Olga, where we can see she has interlocking rings on her (#8), he then kidnaps her. She is treated in a similar way to the way she is treated in The Serpent, specifically she is thrown into the boot of a car (dark confined space) in both (they both have dead bodies in them too, though in different ways). The car she is thrown into is an Audi, it has the interlocking rings on it also. It seemed to me that a lot of groups of numbers (hotel room number 515, below number plate 533 and others (4+7=11) added up to 11 showing twin pillars/mirrored/dual personality symbolism.
Plenty of Hexagonal roads in Enchanted post coming soon.
Plenty of Hexagonal roads in Enchanted post coming soon.
47 then takes her for "questioning" in a room with a dirty mirror, causing an altered/innacurate reflection. They go to a train station, where he is chased by another programmed assassin, whom he easily dispatches. Then three more come and they have a symbolic fight sequence where they no longer use their twin guns but rather their blades, they stand in a pretty much perfect octagonal shape as they do this (gaps between them are the horizontal and vertical lines). Also in the station, a mirrored K is seen which I presume is a Russian letter. There is a tonne of corridor scenes here, with flashes of light and whatnot going on throughout, this is probably mind control leading up to the symbolic fight scene (accessing another compartment of the mind=hallways/doors, ready to bring out the alter personalities contained in that compartment by fracturing the glass ((the mind))). I'd also like to point out the over-use of fractured glass in this scene, the one who has his head bashed against the glass causing it to fracture is dispatched in the most psychopathic way (being hung, hanging man) probably showing the "illuminati's" racist ideology. He is kicked through the back of the train's window and lands in a seemingly endless corridor which is the train track. After the fight, he picks up the knives then places them in a box next to another Russian mirrored K, this time with OCTPOKHO written which goes well with the octagon they had been positioned to make whilst facing off moments ago.
Desmond from Lost features, playing a "slave trafficker" where he is seen surrounded by lifeless looking mind controlled (I presume) sex slaves wearing mask-type things. He plays Belicoff's brother Udre. He has a twin serpents tattoo on his chest, they are facing eachother (may be a two-faced serpent, sharing the same body), usual amount of shattered glass/mirrors. Udre is killed next to a gold lion face fountain thing.
Desmond from Lost features, playing a "slave trafficker" where he is seen surrounded by lifeless looking mind controlled (I presume) sex slaves wearing mask-type things. He plays Belicoff's brother Udre. He has a twin serpents tattoo on his chest, they are facing eachother (may be a two-faced serpent, sharing the same body), usual amount of shattered glass/mirrors. Udre is killed next to a gold lion face fountain thing.
We are then taken to the interpol agent who has been tracking "Agent 47" over the years. Where 47's suitcase is given to them and a key is focused on symbolising the accessing of a compartmentalized area of the mind with the right trigger (key=trigger when put in the lock, waiting to unlock the specific compartment containing the alter-personality). Written on it is "Trust unto God, and he will direct your path" God being the handler, 'direct your path' symbolising the control they have.
Then the finale which takes place at Udre's funeral, fake-Belicoff speaks behind protective glass. When one of the FSB agents is ordered to shoot the president (he misses), the glass fractures, slowly before it eventually shatters completely. The way this fractured/shattered glass is constantly used and focused on in this film tells me that it is done for the purposes of mind control (and not just a happy coincidence). This symbolises the fracturing of the mind so it is compartmentalized, allowing the alter-personalities (residing in the different compartmentalized sections) to be released and the old personality now laying dorment in another compartment(symbolised by the complete shattering of it, implying it is gone, but can be pieced back together with a specific trigger).
A lot of finale's seem to take place over a checkerboard floor... I wonder why. You find out that the key fits into the Archbishop's chambers (I think 47's programmers were Opus Dei or Jesuit type people). He takes fake-Belicoff into the chambers where he stamps on some guys head, breaking his skull against the checkerboard floor. After killing Belicoff, a helicopter comes (what do those numbers add up to?) but misses him completely. He sits, in his pre-programmed position (see beginning pictures) waiting to be taken out of the building (to escape) upon completing his mission (killing final Belicoff) . An angel in stone features here also. Then this symbolic scene to finish the film.
Your face here.
The Hitman insignia is supposed to be a stylised lily. The film was panned for having a "confusing plot", it was certainly confusing but it was probably meant to be confusing as it would make you more suggestible to the things that I've mentioned in this post.
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