MBELDOG BLOG

Quick obligatory post on the protests in London (living near it but too lazy/cynical to show up); while obviously most of them are slightly misguided they seem to be the only people willing to protest against the literally infinite issues the 'elite' have caused. The Nazi-stormtrooper style 'riot police' who are just mindless cogs in the Orwellian machine are not the enemy (well other than the mentality of police officers, who usually choose it for the feeling of power it gives them; with the authority it gives them and the armor/shields/batons/tasers/guns/etc, and lets not forget their indisputably Freemasonic checkerboard hats); they want us regular people fighting other regular people (police) so the real enemy is never challenged. There were a few obvious agent provocateurs in the crowd (one guy with a stick was quickly shepherded in and out of the crowd to hit a police an officer on the head to make it escalate [the media are just hilarious in how much they obviously want to have the "protests turn violent"]), and you've got to be pretty stupid if you think the police's tactics weren't designed to cause tension/violence (there is no such thing as free protest if they are herded around like cattle, ending up pact like sardines in a crushd tin box; obviously people are going to throw things at the people forcing them into such a compact area [analogous to the Israel/Palestine conflict]).

Alfred Hitchcock's penultimate film "Frenzy" was released in 1972, he was 73 (777 Crowley) at the time of its creation, it aired on July 1st (7 1) on Sky Movies Sci-Fi/Horror. It is about a serial killer who strangles people with neckties, and a man who is falsely accused of being him. I viewed the film very differently to most people I think, as the film opens with powerful music and the camera panning over the Thames (Isis), focusing on the twin towers of tower bridge, the City of London's coat of arms was on show for some reason right at the beginning to. I think I've made my thoughts about the City of London and the Freemasonic lizards (figurative) that inhabit their pyramid capped/square phallic buildings pretty clear. I viewed this film as like a sick celebration of Jack the Ripper style serial killers (mind controlled/or just a totally insane Freemason) created by the "illuminati" (if you want to call them that). The "Square Mile" (City of London, and the whole of London tbh) is unarguably steeped in Freemasonry, so to have it shown is highly symbolic in my opinion. Jack the Ripper is specifically referenced in this film, he started killing on August (8) 31 (13) 1888, 8 can be viewed as the number of total control so to me this suggests that there is something more than meets the eye to do with that case.



The "real" serial killer is shown wearing purple (below), a dissociative and subconsciously polarizing colour. He is known as the "Necktie murderer", this is again another subtle hint at Freemasonic involvement in these "frenzied" serial killings (and the recent spate of frenzied attacks we've seen lately in real life, Murdoch showing this film on 01/07/08 ((17, 8)) is no coincidence) because the necktie derives from the Freemasonic Cable-Tow. This is another example of the subversive influence Freemasonry has had on society as a whole. And of course, having it as the murder weapon is re-emphasizing this unwitting submission to our Freemasonic overlords that we are all forced into at school and then in corporate jobs etc.