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Tuesday, November 9, 2010
Ewan Fletcher with Aloysius
Found: Aloysius the Brideshead bear By EWAN FLETCHER Last updated at 22:40 02 June 2007
Add to My Stories He's not in the Priory, he's not doing panto at Weston-super-Bear... our man in the cravat and Sebastian Flyte three-piece tracks down the Olivier of TV teddies just miles from Oxford's dreaming spires... During his Oxford days, Lord Sebastian Flyte was seldom seen without a teddy bear firmly clasped to his richly waistcoated chest as he hurried from one drinking den to the next.
Seen by millions in the classic 1981 serialisation of Brideshead Revisited, that bear, Aloysius, became as much of a star as the effete leading men Anthony Andrews and Jeremy Irons.
But now, with a big-budget, feature-length version soon to commence filming, an extraordinary hullabaloo has scattered the pigeons from literature's hushed cloisters.
One of the new film's scriptwriters, Andrew Davies, announced last week: "There will be no Aloysius. He's out."
John Mortimer, who adapted Evelyn Waugh's novel for the 1981 series, was horrified.
"Aloysius is remembered by everyone," he said. "He's an integral character to the book. Waugh wouldn't have put Aloysius in there unless he thought he was an appropriate symbol of Sebastian not growing up. I would never have dropped him."
Possibly fearing a mass boycott before filming had even started, Davies's co-writer Jeremy Brock then issued a statement saying that Aloysius would in fact make at least a brief cameo appearance.
And yet, as the rumpus raged, the ursine actor kept his head down.
Indeed, the great bear has not been seen in any of the usual celebrity haunts for many years.
While his co-star Anthony Andrews went on to forge a glittering career on the stage and small screen, and Jeremy Irons, who played Charles, became a Hollywood leading man with an Oscar under his belt, Aloysius simply disappeared.
Theories abounded as to his whereabouts. Some said he had followed his old master to Morocco where he drank himself to an early grave.
He was reportedly spotted walking arm in arm with an equally camp teddy in the Bois de Boulogne in Paris.
There was even a rumour that he'd spent his small fortune on plastic surgery to give him the assets of a polar bear.
But after an exhaustive search, The Mail on Sunday tracked him down, finding him safe and well and happily living out his retirement in the Teddy Bears Of Witney shop and museum - barely a dozen miles from his old Oxford stomping grounds.
I went to meet him, dressed suitably for the occasion in my grandfather's three-piece Savile Row tweed suit.
It does seem preposterous that Aloysius, who has just celebrated his 100th birthday, shouldn't at least be asked to reprise his role in the new film.
But age is catching up with him and he does look a bit threadbare.
He possibly wouldn't want to repeat the scene in the 1981 production when, already aged 74, he was thrown by Sebastian from an overturning wheelchair - unless, of course, a stunt double could be found.
Neither does he need the money.
Aloysius's life story is a complicated one. Made in 1907 by the Ideal Toy Company in America, he lived quietly in Maine with Euphemia Ladd, sitting for four decades on a shelf in her grocery store.
It was only when the swinging Sixties were almost over that he had his first taste of show business.
The actor Peter Bull, most famously the Russian Ambassador in Dr Strangelove, wrote a book in 1969 about his passion for teddy bears called Bear With Me.
On seeing an accompanying TV plug, Miss Ladd, who was closing down her shop, sent Bull her faithful teddy.
Aloysius, though, is really just a stage name.
For the ten years he was with Bull he was known as Delicatessen - after Miss Euphemia's profession.
But the role of Aloysius so defined him that the name stuck.
It was through his association with Bull that he was offered his careerdefining part.
The director Derek Granger was looking for "a large and rumpled bear".
He knew of Bull's collection and contacted him. The rest is televisual history.
Granger was more than pleased with his choice. He said: "Aloysius was marvellous. He was never late on set, he never bumped into other actors and was never drunk.
"Actually he continued to work when he was quite ill.
"At one stage during the 21 months of filming he bled a little straw and had to be rushed to hospital.
"Not the first time an actor has come apart at the seams."
Aloysius required still more repairs while promoting the film and, to cover his many patches, Anthony Andrews's wife Georgina, a Daks Simpson heiress, gave him one of her company's scarves, which he still wears.
After Bull's death in 1984 and a spell treading the boards of the Stratford Teddy Bear Museum, Aloysius was bought by wealthy American collectors and recrossed the Atlantic.
However, with Hollywood proving difficult to crack, his new owners - Rosemary and Paul Volpp -realised that his true home was among the dreamy spires of Oxford.
They decided to repatriate him and agreed to a $50,000 (£25,000) private sale to his present owner, Ian Pout.
Pout, a former stockbroker, whose teddy bear shop and museum was the first in the country, said: "It was a lot of money but I was very fortunate.
"Had he been sold at auction, I probably couldn't have afforded him. He is probably the best known real teddy bear in the world.
"I do love him because he is pretty battered and bruised.
"A bit of love gives bears extra character. It has with him. He looks a bit sad now but he has so much character."
However, Pout feels that the casting director of the new Brideshead should find a younger actor to play the role.
"Aloysius just wouldn't fill the part any more," he said.
"He's too fragile and I fear he wouldn't have the strength. He's an old man now."
Read more: http://www.dailymail.co.uk/news/article-459461/Found-Aloysius-Brideshead-bear.html#ixzz14nu4z3iO
Monday, November 8, 2010

The Second Grand Anarcho-Dandyist Ball
The Bloomsbury Ballroom
Bloomsbury Square
London WC1B 4DA
Saturday 4th December 2010
8pm-2am
The Chap’s legendary “Night of a Thousand Waistcoats” returns after last year’s tenth anniversary party, for the Second Grand Anarcho Dandyist Ball. Moving the location to the much larger and grander Bloomsbury Ballroom, London’s only remaining original Art-deco ballroom, this year’s extravaganza will set the precedent for an annual Chap Ball, each party striving to be even more spectacular than the last.
Guests will leave the 21st century behind as soon as their immaculately shod feet reach the bottom of the entry staircase. The breathtaking grand ballroom will immediately sweep them back to the heady 1920s and 1930s, aided by delicious retro cocktails served by our partners Bourne & Hollingsworth.
Your extremely louche host will be Nickolas Grace, the actor who played Anthony Blanche in the original Brideshead Revisited, who will be “charming thwough the gwille” for the entire evening. In the Grand Ballroom there will be a full cabaret line-up, topped by the irrepressible Mr. B the Gentleman Rhymer, giving an exclusive live preview of his brand-new longplayer, “I Say!” This evening of old-world jollity will also include wandering acts among the guests, including Viv the Spiv, Escalado horseracing and the legendary “Chap Room”, where guests may dictate a letter to a 1950s secretary and have it delivered on a silver salver to another guest by a butler.
The dress code will be: 1890s decadence, 1920s villainy, 1930s glamour, 1940s spiv. Anyone arriving in Polyester will be politely asked to stand near a naked flame and handed some tweed. Guests with valuable overcoats may rest assured that this year’s Ball will offer a fully operational cloakroom.
To book tickets, visit www.ticketweb.co.uk or call 0207 7724 1617
November 1, 2010
Saturday, November 6, 2010
There's a chap who virtually dresses me at a shop called Hornets. It's a second-hand Gent's clothing shop in Kensington Church Walk. Full of Saville Row suits and weird and wonderful military dress jackets. The shoes have been resoled so many times I've propbably paid five times as much in repairs as I did originally. They're from Hornets; they're Carvillle. The company strapline is "The shop for the amorous man", which is slightly creepy. Clothes are a mechanism of communication - people are adept at reading clothes, and you can manipulate that. Wear a bicorn hat or a hussars jacket to a party and everyone will pay attention.; My style icon Toad from The Wind in the Willows.By Sam Bompas
Hornets
2 & 4 Kensington Church Walk , London W8 4NB
36b Kensington Church Street , London W8 4BX










Friday, November 5, 2010
The series is created by MEAN Magazine and presented by MTV, the first one starring Twilight series actress Anna Kendrick. I thought I might as well post this as I thought it was interesting (even though it seems they want sites like this to do "exposés" on their videos to cash in on the "Illuminati" themes current high level of interest online, hence why they sent the press release to sites like mine) and I haven't been working on much else this past month since I last put one up, hopefully I'll get working again on some of my full length posts soon. People outside of the US, I was able to watch it here (took me ages to find a working video I could watch).

She collects their souls by magickally holding her hand up to them and a standard Freemasonic/Illuminist symbol is flashed, then she is transported to the next soul to collect by her handlers.

The director David Ayer has used this eye in the triangle Masonic/Illuminist symbol in a film he directed I covered way back in 2008, 'Street Kings' (cap here from the post; it's symbolically on a light above a stairway leading up to some corrupt cops).




Anna comes out of the light (of Lucifer?) in the room wearing white (representing purity/innocence; as opposed to the dark things the 'wicked men' are involved in, the Masonic duality checkerboard is obviously of note here). She then looks at them in a less innocent, judgmental way as the screen is filled with light and the three are then seen looking guilty and full of regret back in their reality (having seen the light, I guess). After this, at the very end she reaches for a knuckle duster (i.e. to punish them) but instead picks up a bracelet.
The way I look at it, you can interpret it in two, possibly more ways, Kendrick may have collected them up to this place to be judged by the 'good Mason' to teach them the error of their ways (when back in their original scenes after, they have a look of guilt and regret). Either that, or the Mason is issuing orders/edicts to the facets of society they have their gavel/authority/control over (the corporate world and the underworld stuff the three wicked men are involved in; and of course the three other people in the room who represent the government, military, police, Masonic symbolism pervades most of these parts of society in reality as many will know). More substantive posts up hopefully sooner rather than later, thought this was worth quickly posting anyway till I have something new up.



















